Agnes Gabrielle Tait: Model, Writer, Illustrator, and Muralist

Agnes Tait
Peter A. Juley & Son Collection,
Smithsonian American Art Museum

Agnes Tait grew up in New York and, at the age of fourteen, entered the National Academy of Design. During the next five years she studied with a variety of artists until her mother's death for which she took a sabbatical from her studies. When she returned to the academy, Tait took a life drawing class taught by Leon Kroll, whose emphasis on craftsmanship and balanced design was a major influence on her own work.

While pursuing her career in the city, she worked as an artist's model for the illustrator Tenny Johnson and for George Bellows, created murals in Cooperstown, New York, wrote and illustrated a children's book and completed a commission to paint the girls of the Ziegfeld Follies.

In 1927, she went abroad and studied at the École des Beaux-Arts where she learned lithography. The following year she returned to New York, where she had her first exhibition at the Dudensing Galleries. Agnes Tait first explored lithography during the Depression era of the 1930s. She was frequently employed as a mural painter, most notably for Manhattan's Bellevue Hospital. Tait traveled to Europe a second time in the early 1930s and returned via Haiti and Jamaica, which fostered an interest in tropical scenes. Her first solo exhibition, of portraits, took place in 1932 at the Ferargil Galleries. [1]

Agnes Tait
Untitled (Jamaican Scene)
c.a. 1933
Lithograph
10 1/2 x 14 1/4 inches
Smithsonian American Art Musuem

Agnes Tait

Delphinia

c.a. 1940

Lithograph

14 x 10 inches

Private Collection

Tait married in 1933 to journalist William McNulty. The following year, she was employed as a painter under the Public Works of Art Project during which she executed what is considered her most famous work, Skating in Central Park.


Agnes Tait,
Skating in Central Park
c.a. 1934
Oil on canvas
33 3/4 x 48 inches
Smithsonian American Art Museum

Throughout the 1930s, Tait worked on small lithographic editions and mural work. In 1941 she and her husband relocated to Santa Fe, New Mexico where she remained a resident until her death. While living in Santa Fe, Tait did a number of commissioned portraits and studies of cats.

Agnes Tait

Siamese Cats

c.a. 1925

7 x 12 inches

Oil pastels on cream wove paper 

Private Collection 

 



Agnes focused much of her attention on northern New Mexico, particularly its landscapes, adobes and churches, and various ethnic groups. Her lithographs, watercolors, oils and works in other media included titles such as Lane in Santa Fe; El Christo Rey; Sanctuario de Chimayo; Little Navaho; Pilgrimage to Chimayo; Canyon Coral, and Pecos Valley. [2] She also completed two murals during her time in Santa Fe-one, notably for the Frist National Bank of Santa Fe that depicted the entry of General Stephen Watts Kearny into the city during the Mexican War which she completed in 1953.

 

 

Agnes Tait

Summerstorm

c.a. N.D.

No size given

Oil on canvas

                                                        

Tait exhibited at a number of shows in the east and in the west. Collections of her works are in the New Public Library and Metropolitan Museum of Art in New York, Library of Congress, National Museum of American Art in Washington, D.C., Yale University, Wichita Art Museum, Roswell Museum and Art Center, Museum of New Mexico, and School of American Research, Santa Fe.

Tait was a member and exhibitor in 1936 of the National Association of Women, a seven-time exhibitor at the Art Institute of Chicago between 1915 and 1936, an exhibitor in three annual exhibitions of the Pennsylvania Academy, and in four annual exhibitions of the National Academy of Design.  Other exhibition venues were the New York World's Fair in 1939, Weyhe Gallery, New York City in 1973 and the Los Angeles County Museum of Art in 1976.

 

 

Agnes Tait

Adobe Church with Figures and Bonfires

c.a. N.D.
Lithograph
8 3/4 x 11 3/4 inches
Private Collection

_______________________________________________________________
1. Agnes Tait, Biography, Smithsonian American Art Museum and the Renwick Gallery, http://americanart.si.edu/collections/search/artist/?id=4732, retrieved August 28, 2013.
2. Phil Kovinick and Marian Yoshiki-Kovinick, An Encyclopedia of Women Artists of the American West (Austin: University of Texas Press, 1998), 297.
Other Sources
-Mutual Art, http://www.mutualart.com/Artist/Agnes-Tait/946FA2AAFFD50341/Artworks
-ArtFact, http://www.artfact.com/artist/tait-agnes-eiyev7kwjr
-Patricia Trenton, ed. Independent Spirits: Women Painters of the American West, 1890-1945, (Los Angeles: Autry Museum of Western Heritage in association with the University of California Press, 1995).




 

Lillian Prest Ferguson: Painter, Potter, Educator

Lillian Prest Ferguson
Still Life
ca. N.D.
Oil on canvas on Masonite
 24 x 19 3/4 inches 

Lillian Prest Ferguson was born in Windsor, Ontario, Canada in 1867, and grew up in Windsor, St. Boniface, and Winnipeg. She attended a convent school where she began some of her formal art training. At sixteen, she received a commission to paint portraits of the parents of St. Boniface school.

Lillian continued to study art in Toronto and later, while teaching at the Winnipeg school of art, she met Peter Ferguson, a lawyer, and they married in 1866. After several months in England, Scotland, and France, where Ferguson studied with Jules Lefebvre at the Academie Julian, the couple immigrated to the United States.

Initially, the Fergusons settled in Riverside, California in 1887. With the advent of the transcontinental railroad in 1869, land speculators, developers, and colonists began to swarm to Southern California where there was plenty of inexpensive, available land. However, opportunities to work as an artist were few, so the Fergusons moved to the city of Los Angeles around 1900.

Lillian Prest Ferguson
Carmel by the Sea
ca. N.D.
Oil on canvas
 20 x 24 inches

While her official "residence" was Los Angeles, she traveled to Europe to study in Holland during the years 1911-1912, spent the summer of 1914 in Carmel at William M. Chase's class, and at the University of Southern California. After her husband's death in 1918, Ferguson spent a decade in Laguna Beach. She was a charter member of the Laguna Beach Art Association and a founder of the group Women Painters of the West. She was an active exhibitor with both groups in addition to participating in shows with the California Art Club, Artists of the Southwest. In northern California she showed at the Berkeley League of Fine Arts, the  California State Fair, Sacramento, and the Santa Cruz Art League.

In addition to painting, the artist was a highly respected potter who operated one of the first kilns in Laguna Beach in 1920. Generally painting from life using oils, pastels, and watercolor, Ferguson also did portraits of the various ethnic groups that lived in southern California. She also enjoyed painting and drawing florals, missions, and landscapes along the coast of California.

All source material from Kovick's An Encyclopedia of Women Artists of the American West.
Photographs from icollector.com, askart.com, and artnet.com