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Mary Ann Lehman Quiet Crow Camp Etching n.d. 2x10 inches |
Mary Ann Lehman was an American Western artist born near Spokane, Washington in 1920. She was best known for her etchings of horses and Western scenes enhanced with watercolor and oil. Lehman's creative work was predominantly influenced by modernism of the 1950s. Lehman was a member of the Los Angeles Art Association, the Palos Verdes Art Association, the Laguna Beach Art Association, and the Laguna Beach Festival of Art. She painted in oil in a heavy impasto style that has depth and texture.
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Mary Ann Lehman Native American on Horse Oil n.d. |
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Mary Ann Lehman California Oil Man on Horseback Oil Mid 20th century 18 x 24 inches |
Resuming her art training, Lehman studied at UCLA (1946), Chouinard School of Art, LA (1946-1951), and El Camino College, Torrance, CA (1956-1958). In the Post-War period the lens of modern art both nationally and internationally was connected with developments in New York City. The Second World War brought many leading artists in exile from Europe to New York, leading to a rich pool of talent and ideas. Notable European artists such as Piet Mondrian, Josef Albers and Hans Hoffmann provided inspiration for eager American artists and set the bar of much of the United States’ significant cultural growth in the subsequent decades.
The 1950s can be said to have been dominated by Abstract Expressionism, a form of painting that prioritized expressive brushstrokes and explored ideas about organic nature, spirituality and the sublime. Much of the focus was on the formal properties of painting, and ideas of action painting were conflated with the political freedom of the United States society as opposed to the strictures of the Soviet bloc. Key artists of the Abstract Expressionist Generation included Jackson Pollock (who innovated his famed drip, splatter and pour painting techniques), Willem de Kooning, Mark Rothko, Frank Kline, Barnett Newman, Clyfford Still and Adolph Gottlieb. It was a male-dominated environment, though necessary revisionism of this period has emphasized the contributions of female artists such as Lee Krasner, Joan Mitchell, and Louise Bourgeois.
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Mary Ann Lehman Big Daddy ca 1977, Bingo, Don Quixote ca 1982 Color etchings 3 3/4 x 5 3/4 inches |
Lehman also did freelance work including scratchboard illustrations for "Blood Horse Magazine".
In 1968, Lehman took up etching at the urginging of her instructor, Joe Mugniani. For the next fifteen years, she produced numerous etchings, often colored with oil or watercolor. Her lifetime interest in horses and the West is reflected in the works seen here. Mary Ann Lehman received first-place awards for both etchings and watercolors, and exhibition venues included Salt Lake City; Harrisburg, Pennsylvania; Memphis, Tennessee; and Albany, New York.
Her work has been exhibited at the annuls of the Death Valley Forty-niners, the Saddleback Inn, Santa Ana, CA, Fort Robinson, NE and Temecula, CA.
Sources______________________________________________________________________
An Enclyclopedia of Women Artists of the American West, Phil Kovinick and Marian Yoshiki-Kovinick, University of Texas Press, Austin, 1998, p. 188-89.
AskArt, Mary Anna Lehman, https://www.askart.com/artist/Mary_Anna_Lehman/126986/Mary_Anna_Lehman.aspx, retrieved December 18, 2020.
MutualArt, Mary Anna Lehman, https://www.mutualart.com/Artist/Mary-Anna-Lehman/3F19F603DBE3E6B9, retrieved December 18, 2020.
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