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| Una Hanbury Lioness and Cubs ca. 1984 Bronze Rio Grande Zoo Albuquerque Public Art Program Albuquerque, New Mexico |
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| Una Hanbury Phoenix Rising from Ashes Bronze ca. n.d. |
Hanbury was born Una Rawnsley in Middlesex, England in 1904, and grew up primarily in Kent County, UK. Her grandfather was Hardwicke Rawnsley, a Church of England clergyman, poet, hymn writer, local politician, and conservationist. He was also one of the founders of the National Trust.
Hanbury exhibited artistic talent when she was quite young and received instruction from animal artist Frank Calderon. When she reached fourteen years old, she attended the London Polytechnic School of Art after which she studied for three years at the Royal Academy of Fine Arts. Sir Jacob Epstein, an American sculptor who championed many concepts central to the modernist sculpture movement was her most influential teacher. During this period, Hanbury learned the art of stone cutting on the Italian island of Capri.
Una Hanbury married her first husband, Anthony H.R.C. Hanbury, a stockbroker, in 1926, and retired from her art career to raise a family. She later divorced Hanbury, left England with the children at the outbreak of World War II, and settled in Bermuda in 1940. Hanbury relocated to Washington D.C. in 1944 to work for the British Embassy. After the war she became a real estate broker and general contractor until she married again in 1957 to Alan Cotsworth Brown.
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| Una Hanbury Lying Horse Foal Bronze ca. n.d. |
After some time in Canada, she resumed her artistic endeavors and studied painting at the Academie de la Grande Chaumiere, Academie Julian, and L'Atelier de Vieux, located in Paris. Her interest in sculpture was stimulated by a piece she created while using her youngest stepdaughter as a model. When she returned to Washington in 1961, she had to address personal and professional issues before exploring sculpture as her medium of choice.
Beginning in the mid-1960s until 1982 or '83, Hanbury produced an impressive body of work in bronze, cast aluminum, stone, terracotta, and marble.
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| Georgia O'Keeffe posing for Una Hanbury ca. 1967 Unidentified Photographer |
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| Una Hanbury Bust of Rachel Carson ca. 1965 National Portrait Gallery, Smithsonian Institution Washington, D.C. |
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| Una Hanbury Circle of Three Lamas Bronze ca. 1970 Potomac School, Washington, D.C. |
In 1970, Una Hanbury relocated to Santa Fe, New Mexico, where she continued working well into old age and
became a significant force in the art life of that region. Her western themes included animals, both domestic and wild and Native Americans.
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| Una Hanbury Navajo Land Bronze ca. n.d. |
Hanbury exhibited in shows at the Royal Academy, London; Salon d'Automne, Paris; Religious Art Commission, Washington, D.C.; Mostra d'Arte Moderna, Camaiore, Italy; NAD; National Arts Club, New York; and National Cowboy Hall of Fame, Oklahoma City. Her papers are in the Smithsonian Archives of American Art.
Sources__________________________________________________________________
An Encyclopedia of Women Artists of the American West, Phil Kovinick and Marion Yoshiki-Kovinick, University of Texas Press, Austin, 1998, p. 125.
The Potomac School, https://www.potomacschool.org/about-us/100-plus-years, retrieved March 16, 2017.
Public Art Archive, http://www.publicartarchive.org/work/lioness-and-cubs, retrieved March 16, 2017.
Sources__________________________________________________________________
An Encyclopedia of Women Artists of the American West, Phil Kovinick and Marion Yoshiki-Kovinick, University of Texas Press, Austin, 1998, p. 125.
The Potomac School, https://www.potomacschool.org/about-us/100-plus-years, retrieved March 16, 2017.
Public Art Archive, http://www.publicartarchive.org/work/lioness-and-cubs, retrieved March 16, 2017.
