Malvina Cornell Hoffman 1885-1966 |
A precocious child, Hoffman showed an early interest in art and, at fourteen, began taking classes at the Woman's School of Applied Design to study drawing and painting. She soon added classes at the Art Student's League where artists such as Raphael Soyer, Isabel Bishop, and Kenneth Hayes Miller, taught and studied. In addition, Hoffman spent time in Paris where she was a student of French sculptor Auguste Rodin from 1910 until his death in 1917, and she is recognized by some as "America's Rodin."[2] Hoffman first won acclaim for her bronze sculpture of Russian dancers Anna Pavlova and Mikhail Mordkin. Her sculpture, Russian Dancers, the study of Pavlova and her partner, received a first prize at the Paris Salon in 1911. Hoffman also studied Gutzon Borgium, sculptor of Mount Rushmore at the Women’s School of Applied Design and the Arts Students League. Hoffman had firmly established her reputation as a sculptor by the mid-1920s.
Stanley Field and Malvina Hoffman at her Paris Studio. © The Field Museum |
Malvina Hoffman Semang Pigmy ca. 1930 Bronze 27 1/4 x 7 7/8 inches Edition 1 of 5 |
Her monumental bronze series, The Races of Mankind, included one hundred five busts and full figures of typical types of people from Africa, Europe, Asian, and the Americas.[3] In preparation for the exhibit, Hoffman and her husband, S. B. Grimson, traveled throughout the world to find authentic models for the sculptures, which took five years to complete. The collection became a permanent exhibition at the Field museum, which was popular for both for its artistic and cultural values, however, it was not without controversy.
The Races of Mankind, located in the Chauncey Keep Memorial Hall. The exhibit was visited by over 2 million people in its first year. © The Field Museum, |
At that time, Hoffman's work was criticized by social scientists as too reliant on physical over cultural characteristics. The prevailing abstract artists of the day saw her work as either too realistic or too romanticized.[4] At the end of the project, she felt “this collection of bronze figures and heads is a sculptor’s interpretation of Humanity, studied from three angles—Art, Science, and Psychology. It represents not only the actual study and work of the past five years, but the result of my observations and study over a period of many years previous to 1930.” (Hoffman, 1936) [5]Although her western sculptures, done as part of the Races of Mankind project, are a small component of the overall project, her studies of Native Americans of the Southwest, South Dakota, and Montana have been shown widely.
Malvina Hoffman Apache Man ca. 1934 Bronze No size given |
Malvina with her close friend, Ballerina Anna Pavlova. n.d. |
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1. Encyclopedia.com, Malvina Cornell Hoffman, http://www.encyclopedia.com/topic/Malvina_Hoffman.aspx. (accessed March 7, 2013).
2. Ibid.
3. Phil Kovinick and Marian Yoshiki-Kovinick, An Encyclopedia of Women Artists of the American West (Austin: University of Texas Press, 1998), 145.
4. Sandy Cline, Soapstone Sculpture, Malvina Hoffman, A Tribute, http://soapstonesculpture.com/malvhoff.html (accessed March 8, 2013).
5. Kovinick, 146.
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